Even though the often announced death of cinema may well be an overstatement, film seems irrevocably doomed. Nevertheless, or because of that reason precisely, a number of artists and filmmakers continue to stubbornly hang on to the film medium, as an inexhaustible source for magic and wonder. With their groundbreaking excursions into the realm of so-called “expanded cinema” Sandra Gibson (US, 1968) and Luis Recoder (US, 1971) have emerged as two of the most inspired and inventive film acolytes of their generation. Since their first meeting in 2000 they have been producing numerous installations and performances that make full use of the optical and mechanical qualities of film projection. Using 16mm and 35mm projectors, celluloid strips, deviating lenses and manual interventions they create elusive and hypnotic light sculptures, which transform the projection room into a sensual three dimensional experience. During the Courtisane Festival they will present their new performance as well as some installation works and a film programme that pays homage to the work of one of their principal “teachers”, Paul Sharits.