Selection 11: Éric Baudelaire
In the presence of Éric Baudelaire, Claire Atherton, Hélène Maes, Guy-Yanis Kodjo and Fatimata Sarr
With the support of the Embassy of France in Belgium,
in the context of the EXTRA 2020 program
Courtisane is een platform voor film en audiovisuele kunsten. In de vorm van een jaarlijks festival, filmvertoningen, gesprekken en publicaties onderzoeken we de relaties tussen beeld en wereld, esthetiek en politiek, experiment en engagement.
Courtisane is a platform for film and audiovisual arts. Through a yearly festival, film screenings, talks and publications, we research the relations between image and world, aesthetics and politics, experiment and engagement.
In the presence of Éric Baudelaire, Claire Atherton, Hélène Maes, Guy-Yanis Kodjo and Fatimata Sarr
With the support of the Embassy of France in Belgium,
in the context of the EXTRA 2020 program
First initiated in autumn 2015 as a documentary about the newly constructed Dora Maar junior high school in the Paris suburb of Saint-Denis, the final film has transformed, over regular shooting sessions with students from the school’s film group, into an amorphous and ebullient collective project. At once a portrait of a diverse group of students during critical years of growth, captured at a time of political upheaval locally and globally, Un film dramatique is also a film about friendship, emancipation, trust, performance, and, in particular, the act of filmmaking for a generation raised by selfies and YouTube. Charming, and deceptively simple, the work’s political might emerges in small, magical gestures. As the kids grow and mature, the passage of time is felt rather than announced, most notably in their increasingly sophisticated footage: bold, courageous steps towards making work that matters to them, that responds to their questions, that confronts their place in the world. Neither documentary nor fiction, the film poses a conundrum of what it is the students are creating, individually and collectively. As time alters their bodies and shared conversations, they emerge as not only subjects of their film, but also of their own lives. (Andréa Picard, TIFF)
French spoken, English subtitles