Afterimage 4 included a long and important interview with Hollis Frampton (now reprinted in the Reader) discussing his masterpiece Zorns Lemma and the subsequent series Hapax Legomena of which four very differing parts are being shown. (nostalgia) is a photographer’s perverse autobiography, Critical Mass a hypervisual, sonic quarrel, Poetic Justice a script for the viewer, and finally Special Effects focusses on the film frame itself.