We the Workers

25 May, 2017 - 20:30
KASKcinema, Gent

While some keep on propagating the end of class struggle, ostensibly having bowed to the global domination of capitalist common sense, we only need to look towards China to see that its gravediggers have not ceased to exist. Ironically the same country that boasts of having emancipated its workers in the course of the largest Socialist Revolution in history now participates in the maintenance of the capitalist dominion by boosting its power in the international financial system and co-bankrolling an otherwise bankrupt America. At the same time, China has integrated into the world supply chain by offering cheap export prices on the basis of a cheap labour economy, which has effectively given the nation the dubious status of being the “workshop of the world”. However, as the flow of low-paid migrants into Chinese factories has slowed down, over-exploited workers have been increasingly protesting against the rising inequality and precarious conditions they are experiencing; protests which have been met by state-led repression and criminalization of labour organisation. It is this rise of resistance and the subsequent crackdown that has been captured by Wen Hai in his documentary We The Workers.

 

Chinese dialogue with English subtitles

We the Workers

Wen Hai
,
CN
,
2017
,
HD
,
colour
,
174'

Shot over a six-year period (2009-2015), mainly in the industrial heartland of southern China, the film follows labour activists as they find common grounds with workers, helping them to negotiate with local officials and factory owners over wages and working conditions while being subjected to intimidations, threats and violence. The film ends on a victorious note, documenting the celebration of a succesful strike of 2,750 workers at the Lide Shoe Factory. The euphoria, however, was short-lived: two months after Wen wrapped up filming, police began raiding Guangzhou worker centres, detaining dozens of activists. Three of them were eventually convicted for "gathering crowds to disturb social order”. Wen himself fled to Hong Kong, where he now lives, fearing repercussions over the film. For offering a glimpse of the underside of the Chinese economic miracle and the ubiquitous label that reads “made in China”, but also of the courage of those who, against all odds, stand up against its injustice, We the Workers is a vital eye-opener.