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Matthias Müller, 1990, DE, 16mm, 6'
A collage based on clichés and stereotypes of 1950’s and 1960’s Hollywood melodramas. Müller transforms a range of female gestures and movements into a grammatical construction of paradigmatic elements and condensates them into an elegy of fear. The film does not only comment on the gender politics of classic cinema, but also exposes our own voyeuristic gaze.
