FILM

Red Stone Dancer stu­dies one of Henri Gaudier-Brzeska’s most famous sculp­tu­res – with off­beat came­ra move­ments and an off­beat rhythm, enhan­ced by Arthur’s elec­tro­nic soundtrack.

In both films in this pro­gram, the Cantrills were fin­ding new libe­ra­ting pos­si­bi­li­ties for their cine­ma – ​“cele­bra­ting that we were abando­ning the limita­ti­ons of the docu­men­ta­ry form.”