FILM

In Sway A Way, film from a cell phone falling down an aircraft, GoPro cameras getting lost in the ocean, tumbling down rivers, or picked up by birds, come together in a continuous filmic whirlpool. Cameras severed from the body of their GoPro Heroes, turn the I into a machine, as the lost mechanical eye becomes the protagonist of a disembodied point of view.  Its disorienting cinematography fueled by Joeri Bultheel’s atmospheric score could be what happened if Jean Painlevé had Crittercams to make his surrealist Neo-Zoological Dramas.