Part of the one-hundred anniversary of the great Black migration in Philadelphia, Pennsylvania, Eason is loosely based on the life of James Walker Hood Eason (1886-1923) a long time member of the UNIA of Philadelphia.

Shot on 16mm in the summer of 2013, Fe26 follows two gentlemen around the East Side of Cleveland, Ohio, and examines the tensions between illegal work — in this case, the stealing of manhole covers and copper piping — and the basic survival tactics that exist in areas of high unemployment. The film features two local residents, Issac “I-Pleeza” Chester and Jonathan “Streets” Lee, previously seen in Rita Larson’s Boy/The Tombigbee Chronicles No. 2. As in Sound That, the buried suggests the relationship between what’s seen above ground and the elements taken for granted beneath the surface, in this instance, criminal deeds and activities. (KJE)

Sound That follows employees of the Cleveland Water Department on the hunt for what lies beneath, as they investigate for leaks in the infrastructure in Cuyahoga County, Ohio. As in Fe26, the buried suggests the relationship between what’s seen above ground and the elements taken for granted beneath the surface, in this instance, basic city services. The sound invites the viewer/listener into the hollow sounds lurking under Cleveland’s surfaces. (KJE)

Finds the University of Virginia gospel choir, Black Voices, returning from a triumphant concert in Hampton Roads.

Rappers and gospel singers, on the streets and in their homes. Everson was inspired by William Klein’s The Little Richard Story (1980), a film that tells the story of the rock- and-roll icon’s life through the eyes and experiences of friends, family, and impersonators.

In Mansfield, Ohio, multiple UFO sightings yield both passionate firsthand accounts and detailed reflections; meanwhile, suburban youths raise their arms toward the heavens in becalmed surrender.

About an Airman training to be a pilot at Columbus Air Force Base 14th Flying Training Wing in Columbus, Mississippi.