An antique stereograph image of cotton-pickers, computer-animated to present the scene in an active depth even to single-eyed viewers. Silent, mournful, brief. (KJ)

In Capitalism: Slavery, Jacobs uses a Victorian stereograph (a double-photograph) of slaves picking cotton under the watchful eye of a white overseer as the source for this wrenching silent work. Through digital manipulation, Jacobs creates a haunting illusion of depth and movement. It is as if he has "entered" the image and reactivated this historical moment; he moves among the figures and isolates individuals, creating a stuttering, pulsing effect that suggests motion even as it animates stasis.

An anaglyph 3D found footage film about machines and landscape that interlaces motion with stasis, crescendos with glissandos, and reds with blues. Its three movements depict a parked Chevy Caprice police vehicle, Montréal’s Turcot Interchange, and an empty rave room.

A film whose subject is the place (A gymnasium), the time, (the 10 minutes the film runs), and the unconformity of the reality (the gymnasium), and the illusion (the representation of the gymnasium). All the components are strictly combined in an endless cycle, a Möbius stripe, an Escher's film in a japanese tempo, from Slow to Fast, from Pianissimo to Fortissimo.

Alexandre Larose creates supernally spectral superimpositions infused with a meteorological mix and the intense lusciousness of the Québec landscape.

The Chimera of M is een prachtige, stereoscopische 3D-animatie. Met behulp van de computer creëert Buerkner abstracte interieurs, gestileerde vormen en vloeiende kleurvlakken, in vele lagen. Een voice-over neemt ons mee door een dubbelzinnig universum; een web van ruimtelijke misleiding, flarden van dialogen en morele dilemma’s. Hij verwoordt relatiemisverstanden, ingehouden ruzies, verlangens, intimiteit en lust. (IFFR)