Alledaagse bezigheden, wat huishoudgerei, fruit, licht, touw en vele handen. Handen die in de aarde graven, die snijden, die koken, die aanraken, scheuren, wassen, uitpersen, uitwissen, drukken, duwen. De klank van huiselijke ruimtes en de stilte ervan. Rode bloemen tijdens een zomer. Flowers blooming in our throats is een cinematografisch gedicht als antwoord op de wereldwijde pandemie van 2020.
Filmed in 16mm just after the lockdown caused by COVID-19, Flowers blooming in our throats is an intimate, poetic portrait of the fragile balances that govern everyday life in a domestic setting. The artist films a group of her friends in their own homes, performing various small actions in accordance with her instructions. Giolo chooses to walk a shifting line where gestures remain symbolically ambiguous, expressing a kind of violence that is not immediately recognizable. Hands try to support or escape, but also to grip or strike, in a subtle interweaving of sounds and references that adds to the viewer’s sense of tension and unease. A dialogue of gestures, made up of repeated visual sequences where time is marked by the spinning of a small toy top, as unstable and precarious as the balance of a relationship. The artist repeatedly uses a red filter on her lens, creating a conceptual device that relies on an element of abstraction to conceal and transfigure the image. The mechanical insertion of the filter over the lens thus becomes the simulation of a violent act, immediately changing the way we perceive and remember an action we have seen before. This coexistence of opposites can also be found in the title, which metaphorically suggests how the beauty of a natural phenomenon—and implicitly, love – can turn into a suffocating force. (Leonardo Bigazzi)
Commissioned and produced by in between art films for the project Mascarilla 19 – Codes of Domestic Violence
